MOVIE REVIEWS

REVIEW: ‘The Matrix Resurrections’ takes the movie franchise in new directions while paying homage to the past

Dec 22, 2021, 11:17 AM

(L-r) KEANU REEVES as Neo/Thomas Anderson and CARRIE-ANNE MOSS as Trinity in Warner Bros. Pictures,...

(L-r) KEANU REEVES as Neo/Thomas Anderson and CARRIE-ANNE MOSS as Trinity in Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release.

(L-r)

SALT LAKE CITY, UT — “Unfortunately, no one can be told what the Matrix is. You have to see it for yourself.” –Morpheus

That line, originally spoken in 1999’s The Matrix, also makes an appearance in 2021’s The Matrix Resurrections. It’s a great illustration in one sentence of both the variable nature of the movie’s realities, as well as its own self-awareness.

Fortunately for fans, the mythology on which the franchise is built allows for a believable reboot based within its own variable realities, which is what we get with Resurrections.

THE STORY

“The Matrix Resurrections” opens in theaters and streaming on HBO Max on Dec. 22, 2021.

Keanu Reeves returns as Thomas Anderson, aka Neo, who was once the “Chosen One” who would save humanity from enslavement at the hands of the machines—something he eventually did in The Matrix Revolutions.  But, spoiler alert from a movie that came out 18 years ago, Neo died in the process.  Yet, here he is again, alive, in The Matrix Resurrections.

Carrie-Anne Moss is also back as a woman named Tiffany.  She used to be called Trinity, and…she also died in The Matrix Revolutions.  Yet, here she is.

I won’t spoil anything key to the plot, like how they are alive—or even if it’s really them.  Original co-writer and director Lana Wachowski is back on this movie, though her sister Lily, who also co-created & directed the original trilogy, did not return for this fourth entry.

Joining Reeves and Moss for Resurrections are newcomers Yahya Abdul-Mateen II as Morpheus, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, and even Priyanka Chopra-Jonas.  Greatly missed were Laurence Fishburne and Hugo Weaving, though they do appear in flashbacks to the original movie.

THINGS I LIKED

What The Matrix Resurrections did best, in my opinion, was figure out a way to reboot the story line and justify its own existence.  Wachowski mixes old and new in the plot, revisiting key sequences and shots from the original trilogy to help catch new viewers up with those who are already familiar with all things in the Matrix universe.

The special effects were cutting-edge once again, especially in moments and scenes that, for spoiler reasons, I won’t mention here.  Thankfully, we got to see more than just a re-visit of former action sequences and “bullet time” or just taking some old, familiar sights like the falling green numbers of code and mixing them into newer shots.

Reeves and Moss are great as they slip into their old roles, but at the same time also bringing a weariness that comes with many years (and miles) that both the characters and actors themselves have experienced.

But mainly the best thing that Resurrections did was to justify its own existence within the story.  It’s easy to see the existence of a fourth movie as nothing more than a cash grab by Warner Brothers–a fact that is even mentioned in the movie in a very hilarious and self-aware moment, but I will give Wachowski credit for crafting a narrative that obeys its own rules and builds upon its own mythology instead of merely retreading it.

The idea promulgated in the movie that the original trilogy was just a series of video games programmed by Reeves’ character as a setup to allow the new movie’s world to have a believable reason to exist despite the events of the first three films, was to me a pretty brilliant narrative stroke.

WARNINGS

The Matrix Resurrections is rated R for violence and language.  For what it’s worth, I left the movie wondering if it was PG-13 or R because it was borderline between the two.  The run time of the movie, including a post-credits scene is 2 hours and 28 minutes, though you won’t miss anything important if you don’t stay for the final post-credits scene.

The other big warning is that the movie is self-aware almost to a fault.  The meta jokes about Warner Bros owning the Matrix, or the discussion among game programmers in the movie about what makes The Matrix what it is are humorous moments.

Yet at some point the nihilistic view of how you have no real choice in any matter, despite what you think, as well as the debate over what is real and why you perceive it that way starts to grate on you.

FINAL THOUGHTS

I thought The Matrix Resurrections was a not a bad way to reboot a franchise.  It was a well-crafted mix of old and new, familiar and fresh.  I loved hearing Don Davis’ familiar musical cue that immediately brings back the old feelings of watching The Matrix for the first time.

I enjoyed all of the movie on my first watch-through. On the second viewing, certain scenes dragged a little bit, especially at the beginning.  However, the overall re-watch-ability is higher for this movie than an average movie because so much happens the first time through to make you question what you’re seeing. Thus, you want to watch it again to see it with all plot knowledge beforehand.

Wachowski took the franchise in interesting new directions and even left the door open for more sequels.

I give the movie TWO AND A HALF out of FOUR stars.

WHERE TO WATCH

The Matrix Resurrections is playing in theaters, but you also have the option to stream this one at home if you are a subscriber to HBO Max.  It’s worth noting that this is the last same day-and-date premiere on HBO Max of a movie that is new to theaters.  Warner Bros one year experiment for 2021 is not currently planned to repeat in 2022, at least as of now.

Caption: YAHYA ABDUL-MATEEN II as Morpheus on the set of Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. (L-r)  KEANU REEVES as Neo/ Thomas Anderson and JESSICA HENWICK as Bugs in Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. Caption: JESSICA HENWICK as Bugs in Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. JONATHAN GROFF as Smith in Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. CARRIE-ANNE MOSS as Trinity in Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. Caption: PRIYANKA CHOPRA JONAS as Sati in Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. (L-r) KEANU REEVES as Neo/Thomas Anderson and CARRIE-ANNE MOSS as Trinity in Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. (L-r) YAHYA ABDUL-MATEEN II and JESSICA HENWICK on the set of Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release. (L-r) Director of photography DANIELE MASSACCESI and director/co-writer/producer LANA WACHOWSKI on the set of Warner Bros. Pictures, Village Roadshow Pictures and Venus Castina Productions’ “THE MATRIX RESURRECTIONS,” a Warner Bros. Pictures release.

Hopefully you & your family found this review helpful! Andy Farnsworth does a weekly “What To Watch” segment for the KSL 5 Today morning news show and also hosts the Fan Effect podcast for KSL NewsRadio. Check out his other in-depth reviews of movies and streaming TV series on KSLTV.com.

KSL 5 TV Live

Movie Reviews

This image released by Warner Bros. Pictures shows Ryan Gosling, left, and Margot Robbie in a scene...

Associated Press

The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot

“Barbie” leads the box office over “Oppenheimer" by over 40 million dollars.

2 months ago

Roger Gonzalez and Gaby Camacho, interview Sophia Lillis (C), at the Mexico City premiere of Paramo...

Jake Coyle

‘Dungeons & Dragons’ opens with $38.5M, takes down John Wick

Riding terrific reviews and a strong word-of-mouth, the role playing game adaptation "Dungeons & Dragons: Honor Among Thieves" opened with $38.5 million in U.S. and Canadian movie theaters over the weekend.

6 months ago

This image released by Universal Pictures shows a scene from "Cocaine Bear," directed by Elizabeth ...

Associated Press

‘Cocaine Bear’ gets high with $23.1M, ‘Ant-Man’ sinks fast

The gonzo R-rated horror comedy “Cocaine Bear" sniffed up $23.1 million in its opening weekend, according to studio estimates Sunday, while Marvel's “Ant-Man and the Wasp: Quantumania” was quickly dwarfed in its second weekend.

7 months ago

United States Supreme Court Associate Justice Brett Kavanaugh poses for an official portrait at the...

Lindsey Bahr

Sundance doc looks into Brett Kavanaugh investigation

A new documentary looks into the sexual misconduct allegations against Supreme Court Justice Brett Kavanaugh.

8 months ago

Javon "Wanna" Walton (left) as Sam Cleary and Sylvester Stallone (right) as Joe Smith in SAMARITAN,...

ANDY FARNSWORTH, KSL TV & KSL NEWSRADIO

REVIEW: Stallone’s ‘Samaritan’ stops short of superhero movie success

Sylvester Stallone's latest movie SAMARITAN sees him as a garbage man that a teenage neighbor believes to be a superhero in hiding. KSL's Andy Farnsworth says there are some cool moments that action and superhero movie fans will enjoy, but overall thinks it's good that the movie is only streaming on Prime Video and not in theaters.

1 year ago

(L to R) Thira ‘Aum’ Chutikul as Commander Kiet, Popetorn ‘Two’ Soonthornyanaku as Dr Karn,...

ANDY FARNSWORTH, KSL TV & KSL NEWSRADIO

REVIEW: ‘Thirteen Lives’ movie dramatically tells real rescue story of Thai soccer team from flooded cave

In THIRTEEN LIVES, a true story-based movie on Amazon Prime about the rescue of a teenage soccer team from a flooded cave in Thailand, director Ron Howard manages to pull off the feat of balancing truth with drama without turning it into a documentary. KSL's Andy Farnsworth says it was an emotionally-engaging movie that showcases the triumph of human effort and spirit when we work together to solve a problem.

1 year ago

Sponsored Articles

Design mockup half in white and half in color of luxury house interior with open plan living room a...

Lighting Design

Lighting Design 101: Learn the Basics

These lighting design basics will help you when designing your home, so you can meet both practical and aesthetic needs.

an antler with large horns int he wilderness...

Three Bear Lodge

Yellowstone in the Fall: A Wildlife Spectacle Worth Witnessing

While most people travel to this park in the summer, late fall in Yellowstone provides a wealth of highlights to make a memorable experience.

a diverse group of students raising their hands in a classroom...

Little Orchard Preschool

6 Benefits of Preschool for Kids

Some of the benefits of preschool for kids include developing independence, curiosity, and learning more about the world.

rodeo contestant on a saddle bronc...

DAYS OF '47 RODEO

Get Ready for the Days of ‘47 Rodeo!

The Days of '47 Rodeo is a series of events everyone in the family can enjoy, with world-class rodeo contestants vying for the gold medal.

Electric LED Lightbulb Change In Light At Home...

Lighting Design

How to Know When to Upgrade Your Lighting

This guide explores indicators that suggest it’s time for a lighting upgrade with tips to make an informed decision when you’re ready to buy. 

Brunette guy in headphones playing games on his desktop computer...

PC Laptops

Looking For a New Computer? Use This Desktop Buying Guide

Choosing a new desktop computer can come with a lot of questions, so we created this desktop buying guide.

REVIEW: ‘The Matrix Resurrections’ takes the movie franchise in new directions while paying homage to the past